Photo Credit: Chris Weiss

Photo Credit: Chris Weiss

Cuddle Magic is Benjamin Lazar Davis, Christopher McDonald, Dave Flaherty, Alec Spiegelman, Kristin Slipp and Cole Kamen-Green–a six-piece avant-pop band located between Brooklyn and Philadelphia. All six musicians are in-demand collaborators in New York’s musical community and work with a wide array of artists, from pop superstars like Beyoncé to critically lauded independent musicians like Will Sheff (Okkervil River) and Amanda Palmer (Dresden Dolls), as well as with respected figures of the avant-garde like Fred Frith and Ran Blake. 

It's been a few years since the New Yorker labeled Cuddle Magic’s music "high concept chamber-pop.” At the time, that was a fair statement about a band known to utilize 12-tone rows, odd meters, and extended techniques; a band which had collaborated with new music pianist Phyllis Chen and Third Stream master Ran Blake. But with Ashes/Axis, the band’s forthcoming new full-length record, listeners are less likely to hear echoes of the academy. All sorts of heady compositional devices, both musical and literary, are still present, but the members of Cuddle Magic have learned to bury those influences deeper in the substrate of the music. 

Ashes/Axis features songs written by three of Cuddle Magic’s band members–Christopher McDonald, Benjamin Lazar Davis and Alec Spiegelman–all of whom take turns as lead vocalist. In addition, Kristin Slipp, whose voice is prominent from the very start of the album, takes the lead on “Slow Rider,” “The First Hippie on the Moon, Pt. II” and “Voicemail.” 

The album also features several co-writes: “The First Hippie on the Moon, Pt. II” was co-written by Lazar Davis and his brother Tim Davis; “The First Hippie on the Moon, Pt. I” was co-written by McDonald and Davis; “Voicemail” was co-written by Lazar Davis and Spiegelman; “Spinning” and “Round And Round” were co-written by Lazar Davis and Sarah K. Pedinotti of Lip Talk, and three of the songs on the album were co-written by Lazar Davis and longtime collaborator Bridget Kearney of Lake Street Dive. Those tracks, “Slow Rider,” “Trojan Horse,” and “Getaway,” are all pop songs hung over the frame of Bawa music from Northwestern Ghana. Parts of these songs were conceived just for the gyl, a type of wooden xylophone, and can be heard translated for this sort-of-rock band. 

As with past Cuddle Magic records, the studio process for Ashes/Axis began with live full-band arrangements. Grooves were orchestrated with a set of unusual electro-acoustic timbres including a finger-picked, overdriven acoustic guitar, a bass clarinet with a cheap microphone nested in the bell, junk-shop percussion run through a vocoder, and a slew of Casio keyboards (bought, urgently, from an unnervingly tense family in rural Maine). After tracking the arrangements, several elements were then removed to allow for one final stage of recomposition. With Cuddle Magic’s Benjamin Lazar Davis at the helm, Bryce Goggin (Pavement, Swans, Antony & The Johnsons) and assistant engineer Adam Sachs chopped, distorted, distressed, and delayed elements in each song. The end result is a sound that is warm and precise, raw yet sophisticated–a set of infectious pop songs from either an alternate reality or a paradoxically familiar near-future. 

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Management: Caitlin Pasko at Drunken Piano
Press: Adam Downey at Northern Spy Records


A band made me feel like I had never, ever heard music before [...] Cuddle Magic leapt out in technicolor for me.
— Talia Schlanger, World Cafe
[“Slow Rider”] expands on the dense polyrhythms of traditional Ghanian music while remaining plugged into the sounds of bright, cooing, clattering pop.
— Stephen Thompson, NPR Music (Austin 100)
A favorite new album of mine by a band that has the most adorable name.
— Bob Boilen, NPR Music
On their fourth album proper, Cuddle Magic dive into the pop side of chamber pop with more fluency and confidence than they’ve ever shown in the past.
— Pitchfork
Cerebral pop vibes... and dream-like vocals.
— John Vettese, WXPN's The Key
Cuddle Magic might deal in subtleties, but they hit hard with every move. [Trojan Horse] is a dazzling insight into what makes the band so magic.
— DIY Magazine
Channeling the full band arrangements of Sufjan Stevens with plenty of eccentricities lumped in.
— Time Out NY
They love possibility in the popular song and are willing to go where new approaches are to be found…
— Rick Moody for The Rumpus
 Photo Credit: Shervin Lainez

Photo Credit: Shervin Lainez