BENJAMIN LAZAR DAVIS
"He plays instruments in a way that makes them feel less like strings and wood and wires, and more like stop-motion scenes witnessed through the rear-view mirror of life's highway."
- NPR, Songs we Love
"[Right Direction] is as hopeful as it is devastating, a plaintive cry for guidance that simmers with the knowledge that we grow in the not-knowing."
- CONSEQUENCE OF SOUND
"It's a sparkling, breezy beautiful triumph...poetic, moody & nostalgic while feeling modern, this album is your perfect soundtrack for summer if you ask me"
"A soliloquy of sorts, David paints falling in love as a refuge of hope in a tattered, less-than-ideal world. His voice is soothing and sweet..."
- THE WILD HONEY PIE
"Billowy layers of dreamy folk-pop."
Benjamin Lazar Davis is a gifted multi-instrumentalist, singer-songwriter, arranger, composer, and producer based in Brooklyn.
His new full length album Nothing Matters — his very first as a solo artist — came out of an extensive period of touring followed by a difficult break up. To make the record, Davis spent all all of his money on instruments and recording gear, including drums and drum machines, both nylon and steel string acoustic guitars, an electric and an upright bass, a pump organ, a mellotron, a Moog, and an upright piano. He worked on the record every day, for 30 straight days, in his childhood bedroom at his parents’ house in Saratoga Springs, and once finished, he mixed it back in Brooklyn with his high school friend Luke Moellman (GGFO).
Although there are no other performers on the record, many collaborations went into the writing of the album, including cowrites with Kimbra ("Right Direction"), Alex Toth of Rubblebucket and Alexander F ("Love Song Seven Ways," "Life Is Dangerous," and "Choosing Sides"), Bridget Kearney of Lake Street Dive ("Somebody's Speaking For Me"), singer-songwriter Taylor Ashton ("Brass Tacks"), award-winning poet Michael Gizzi ("Acquitted"), and his brother, a brilliant lyricist, Tim Davis.
Benjamin Lazar Davis writes, records, and performs with Cuddle Magic, Joan as Police Woman, and Okkervil River, and he has worked with Anais Mitchell, Kimbra, Luke Temple, Jesse Harris, Henry Jamison, Wild Belle, Delicate Steve, Star Rover, Sam Amidon, Markus Acher (the Notwist), and Margaret Glaspy as a co-writer, side-musician, arranger, producer, studio musician, touring member, and band member in the past. While 'Nothing Matters' grew out of Davis's desire to make music on his own in a life where he has been a chronic collaborator, the album evokes inspiration from all of these artists, and he considers it a culmination of his life's work.
As he began work on the album, Davis found a photo of his father lounging beneath a hand- written sign that read "Nothing Matters," which eventually became the album's artwork; "It was taken in 1969 in Malawi Africa where he lived at the time. He taught me music growing up, and I think seeing that picture right before recording the record gave me a sense of letting go of all of the baggage that comes with making music and being in a relationship. When in the midst of the meditation of making the album, nothing matters. Just let the tape roll and the ideas flow..."
"In the hands of a boundless creative, a childhood bedroom can house a universe of emotion, and you can fit a symphony of imagination into a Ford E350," writes Talia Schlanger for NPR. "He plays instruments in a way that makes them feel less like strings and wood and wires, and more like stop-motion scenes witnessed through the rearview mirror of life's highway." Nothing Matters is out now on 11A Records.
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09/24 | Stockholm, Sweden at Debaser Strand ^
09/26 | Berlin, Germany at Lido ^
09/27 | Cologne, Germany at Gebäude 9 ^
10/15 | Brighton, UK at The Greys
10/16 | London, UK at Sebright Arms
10/18 | Nottingham, UK at The Maze
^ opening for Okkervil River